17세기 바로크를 대표하는 플랑드르 화가 피에르 파울 루벤스
Peter Paul Rubens, 1577~1640
Assumption of the Virgin 1620,
Oil on canvas, Oil on panel, 458 x 297cm,
Kunsthistorisches Museum, Vienna, Austria
Madonna and Child Enthroned with Saints 1627~1628,
Oil on panel,
Gemäldegalerie, Berlin, Germany
Virgin and Child Enthroned with Saints 1628 Painting,
Oil on wood, 80 x 56cm,
Staatliche Museen, Berlin, Germany
The Assumption of Mary 1620~1622 Painting,
Oil on panel, 88 x 59cm,
Mauritshuis, The Hague, Netherlands
Oil on canvas,
O.-L. Vrouwekathedraal, Antwerp, Belgium
Assumption of the Virgin (detail) 1626 Painting,
Oil on canvas,
O.-L. Vrouwekathedraal, Antwerp, Belgium
수태고지
Annunciation 1628,
Oil on canvas,
Rubens House, Antwerp, Belgium
Immaculate Conception 1628,
Oil on canvas, 198 x 137cm,
Museo del Prado, Madrid, Spain
The Madonna della Vallicella Adored by Seraphim and Cherubim 1608 Painting,
Oil on canvas, 86 x 119cm,
Akademie der Bildenden Künste, Vienna, Austria
Madonna Adored by Angels (Madonna della Vallicella) 1608,
Oil on slate, 425 x 250cm,
Santa Maria Vallicella, Rome, Italy
Adoration of the Shepherds 1608,
Oil on canvas, Oil on canvas transferred from panel,
St.-Pauluskerk, Antwerp, Belgium
Adoration of the Magi 1618~1619 Painting,
Oil on canvas, 245 x 325cm,
Musée des Beaux-Arts, Lyon, France
The Adoration of the Magi 1624 Painting,
Oil on panel, 447 x 336cm,
Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium
The Adoration of the Magi (detail) 1624 Painting,
Oil on panel,
Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium
Adoration of the Magi 1624,
Oil on panel,
Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium
The Adoration of the Magi (detail) 1624 Painting,
Oil on panel,
Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium
Madonna Enthroned with Child and Saints 1628,
Oil on canvas, 564 x 408cm,
St. Augustinuskerk, Antwerp, Belgium
Madonna with the Saints 1638~1640,
Oil on panel,
Sint Jacobskerk, Antwerp, Belgium
The Holy Family with Sts Elizabeth and John the Baptist 1614,
Oil on panel, 138 x 102cm,
Wallace Collection, London, United Kingdom
The Virgin and Child with St Elizabeth and the Infant St John the Baptist 1615,
Oil on canvas, 151x113cm,
Fundación Colección Thyssen-Bornemisza, Pedralbes, Spain
Christin the House of Martha and Mary 1628,
Oil on canvas,
National Gallery of Ireland, Dublin, Ireland
The Holy Family with the Basket 1616 Painting,
Oil on panel, 169 x 128cm,
Picture Gallery, Sanssouci, Potsdam, Germany
The St. Ildefonso Altar (outer wings).
The HolyFamily under the Apple-Tree 1630~1632,
Oil on panel,
Kunsthistorisches Museum, Vienna, Austria
The Holy Family with St Anne 1630 Painting,
Oil on canvas, 115 x 90cm,
Museo del Prado, Madrid, Spain
Holy Family with St. Elizabeth ('Madonna of theBasket') 1615,
Oil on wood, 114 x 80cm,
Galleria Palatina, Palazzo Pitti, Florence, Italy
Virgin and Child 1624~1625 Painting,
Sculpture, Oil on canvas,
Staatliche Museen, Berlin, Germany
The Virgin and Child in a Garland of Flower 1621 Painting,
Oil on canvas, 84 x 65cm,
Musée du Louvre, Paris, France
Madonnain a Garland of Flowers 1616~1618,
Oil on wood,
Alte Pinakothek, Munich, Germany
Madonna in Floral Wreath 1620 Painting,
Oil on oak, 185 x 210cm,
Alte Pinakothek, Munich, Germany
그리스도와 참회하는 여인
Christ Risen 1616,
Oil on canvas,
Galleria Palatina, Palazzo Pitti, Florence, Italy
Christ at Simon the Pharisee 1618~1620,
Oil on canvas transferred from wood, 189 x 255cm,
The Hermitage, St. Petersburg, Russian Federation
Last Supper 1631~1632 Painting,
Oil on canvas, 304 x 250cm,
Pinacoteca di Brera, Milan, Italy
The Last Supper 1630,
Oil on panel,
The Pushkin Museum of Fine Arts, Moscow, Russian Federation
The Flagellation of Christ Painting,
Oil on panel, 37 x 35cm,
Museum voor Schone Kunsten, Ghent, Netherlands
The Road to Calvary 1634~1637,
Oil on canvas, rounded at the top, 569 x 355cm,
Musées Royaux des Beaux-Arts, Brussels, Belgium
Raising of the Cross 1610 Painting,
Oil on panel, 460 x 340cm,
O.-L. Vrouwekathedraal, Antwerp, Belgium
이 그림을 본다면 그 누구가 감상을 하였던지 간에 역동성이란 단어가 금방 떠오를 것이다. 십자가를 끌어올리는 근육질 장정들의 모습에서 강인함은 한 눈에 드러난다. 루벤스 그림에서 흔히 찾을 수 있는 이 역동성은 2천 여점이 넘는 작품을 남긴 그의 업적과 결부되어 한층 더 보는 맛을 더하게 하는 것 같다.
부연 설명에 드러나는 가장 루벤스다운 작품이라는 표현은 바로 이러한 점을 보고 하는 말이 아닌가 싶다. 다음으로 돋보이는 과장되었다 싶을 정도의 감각적 표현과 작품의 대각선 구도 또한 그림의 바로크적 매력을 한층 더한다는 것이 감상자로서의 생각이다. 덧붙여 인물 표현에 있어서 표정이 매우 사실적이어서 보는 재미를 한층 더한다는 것이 또한 개인적 느낌이다.
다음검색
스크랩 원문 :
한산이씨 목은(牧隱) 이색(李穡)의 후손들
