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작성자 Poincare 작성자 본인 여부 작성자 작성시간11.12.31 This one has quickly become my favorite Mahler First. It's the combination of the crisp, idiomatic playing and Chung's insights that makes it stand out among all other versions. Just sample the <Lieder eines fahrenden Gesellen> section in III. to see my point. Here, aided by Chung's flexible, juicy tempo adjustment, the solo strings have never been enunciated with such a expressive and romantic flair.
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작성자 Poincare 작성자 본인 여부 작성자 작성시간11.12.31 The beginning of IV. is another case in point. Instead of dashing through the dramatic passage at a hefty speed, Chung applies a tempo shift within the tempo and he does it so sensibly and aptly that what may sound like a fussing around the score is actually a drama within the drama (one may call it a sense of diversification and liberation!). As a matter of fact. Chung's tempo adjustments and rubato throughout are clearly purposeful, rather than incidental and therefore rarely get in the way of the music making. Quite nice.